![]() ![]() ![]() The form of a new diet, date, career or self-help book – another shot.Īlthough many of her screen adventures are perfunctory, Zellweger's embodiment Is uncertain whether to mix business and pleasure she handles bouts ofĭepression by getting plastered and miming to old records all in all,Īll her nervousness and clumsiness, is always willing to give life – in Template back to either Jane Austen or His Girl Friday (1940).īridget embodies all the fashionable dreams, fears and neuroses of the Darcy (Colin Firth) is the gormless, rigid, unfunny chap who offersīridget security, while Cleaver (Hugh Grant) is the sexy rake who offersĮndless surprises and thrills but can never 'commit'. OnceĪgain, a heroine must make the difficult choice between available male Romantic comedies borrow the basic elements of the American model. Is easily the best thing in this formulaic, hit-and-miss confection. Her mimicry of all things English isįlawless, and her comic talents have never been better showcased. Necessary concession of an American star (such as Julia Roberts) in a Title has staged a canny takeover of an all-American genre, the romanticĬomedy, and given it a British flavour – notwithstanding, of course the To dominate the market in this way, even if only for a little while. There is understandable pride when a non-American film industry manages Makes British films into world successes. Through Four Weddings and a Funeral (1994), Notting Hill (1999) and the adaptation of Helen Fielding's best seller Bridget Jones'sĭiary, they have managed to formulate the one, homegrown recipe that ![]()
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